Piano lessons in Bath

Category: Uncategorized (Page 1 of 3)

Online piano lessons

I now offer comprehensive online piano lessons and music theory lessons.

Online lessons are particularly convenient when travel to my home studio is not possible, or when an adult student has 9-5 work commitments and an additional drive to my studio would be too tiring.

During the lessons I can provide demonstrations of passages of music, with close ups to show piano technique in action. The only additional preparation from an in person lesson would be that we both need to have a copy of the music we’re working on!

Like most music teachers, during the pandemic I had to learn very quickly how to effectively run online lessons that were still engaging and provided a space for musical progress. During those months of national lockdown, I was very proud to have overseen some of my students right through into their piano exams. The sense of achievement and purpose it gave to my students during that difficult period was immeasurable.

One benefit that came out of that period was adding an exciting new type of lesson format to my teaching practise!

If you’re looking for online piano lessons please get in touch by clicking here.

Piano lessons in areas around Bath

Since moving to Batheaston, just a 10 minute drive from centre of Bath, my teaching practise has now become much more accessible for providing piano lessons to the areas just outside of Bath. If you are located in the following areas and need piano lessons, then please do get in touch today.

Bathampton

Bathford

Box

Corsham

Bradford on Avon

Marshfield

Chippenham

Piano lessons take place in a comfortable setting with a relaxed atmosphere, focussing on whatever you want to work on, whether it is for exams or simply for personal enrichment and enjoyment. There is free parking throughout my area.

I bring a wealth of musical experience to every lesson, from my classical background in advanced piano repertoire, to pop and songwriting music where my collaborations with recording artists have resulted in work being played on BBC radio.

After school piano lessons available in Bath from September 2022

I have some piano lesson slots becoming available for the new school term starting in September 2022. These are offered on a weekly basis and are available from 30 minutes, up to an hour. Longer lessons are available on request.

Piano lessons take place in a comfortable setting with a relaxed atmosphere, focussing on whatever you want to work on, whether it is for exams or simply for personal enrichment and enjoyment. There is free parking throughout my area.

I bring a wealth of musical experience to every lesson, from my classical background in advanced piano repertoire, to pop and songwriting music where my collaborations with recording artists have resulted in work being played on BBC radio.

I also specialise in teaching music theory, particularly where reading music notation is concerned. Although it is often perceived as daunting, I try to demystify the the process of learning to read music by showing how the simplicity of music notation has been used to create some of the biggest ideas in music! Students have often commented how it is a really eye opening and enjoyable experience!

If you want to find out more get in touch with me today by clicking here.

Piano Lessons in Bath 2018

Looking for piano lessons and a piano teacher in Bath? Do your children need extra piano tuition in addition to their school lessons? Or maybe you are looking for a new direction and inspiration for your piano playing?

I teach many pupils from a range of backgrounds and levels. I have a busy after-school schedule, teaching children of all ages from early years to A-level, where we work towards favourite pieces or more structured formats such as the ABRSM grades.

I also teach adult beginners, some who are complete beginners and have always wanted to play, and some returning to playing after having studied at school.

Whatever the reason, get in touch with me today to organise a lesson; there are currently a few spaces left for after-school lessons and I also have availability during the day, so if you are not working 9 – 5 hours, I may have a slot for you!

When I am not teaching, I write my own music for concerts and various other formats. So if you ever want to delve deeper into music, be it performance, composition, or the history of music, I am ready to share insights from my own practice and performance!

So get in touch today by clicking here!

Upcoming Shows

As well as teaching piano I am busy writing new music and performing in concert. The upcoming shows in Bath and Bristol represent the culmination of a lot of hard work this year, recording and releasing my work Cello Sonata No.1, which was premiered in Bath last year.

I will be performing with my musical partner, cellist Jonathan Stabler, at Cafe Kino in Bristol on Friday 20 July to launch the EP of this work. CD’s will be available for sale after the concert at a special introductory price. Space at Cafe Kino is limited, so advance booking is highly recommended.

I will also be performing in a free lunchtime solo piano recital at Manvers Street Church in Bath on Thursday 26 July 2018. Manvers Street Church has been extremely supportive of my playing over the years, giving me many opportunities to perform lunchtime recitals. It is a lovely space that is welcoming to all.

Hope to see you there!

EP LAUNCH, 20.7.2018

Cafe Kino, Bristol, BS1 3RU

Tickets available through Headfirst

Solo Piano Recital, 26.7.2018

Manvers Street Church, Bath BA1 1JW

Free entry; donations taken at the end to support nominated charity

Upcoming Events

As well as teaching piano lessons in Bath, I work as a composer pianist on a range of different projects. 2018 has already been a busy year with studio recordings completed for my latest work Cello Sonata No.1, which received its world premiere last year in Bath. This recording will be released as an EP in July 2018, with a launch show scheduled in Bristol.

There is also a highly anticipated show that forms part of the Bath Fringe Festival, scheduled for Saturday 9 June 2018. This will be a full program of new music plus eclectic selections from the repertoire, and tickets are available to book online now.

Bath Fringe Festival,  9.6.2018

St Michael’s Church, Bath BA1 5LJ

Tickets available through Ticketsource

EP Launch, 20.7.2018

Cafe Kino, Bristol, BS1 3RU

Tickets available through Headfirst

Sight Reading for Singers

A new course that is aimed primarily at improving sight reading for singers. Bath is full of wonderful choirs and has a long tradition of choral singing. The great thing about singing  is that anyone can get involved and find their place in a choir, regardless of musical ability.

However, at some point it is normal for many singers to aspire to improve their music reading abilities. It seems a daunting task at first, but the rewards for learning even a basic level of sight reading are huge! You will be able to look at your music before singing a note and have a rough idea of the shape of a musical line, or perhaps even take your starting note from the accompaniment. These are all invaluable tools that give you not only an head start on your music, but give you more satisfaction from learning and performing.

I teach sight singing courses over 4 week blocks, with a 1 hour lesson per week. Lessons take place during the daytime at Nexus Methodist Church, Claremont. Booking is essential to secure a place on the course.

Topics covered include:

  • Hearing a note and singing the same note back at correct pitch
  • Basic music pattern recognition
  • Music theory to understand what all the different symbols are telling you
  • Note reading on the staff and strategies to learn these notes quickly

This course is aimed specifically for singers who have very little music reading abilities. If you already have some understanding of sight reading, but want to develop your skills further  to more advanced levels, you can get in touch with for a 1 to 1 lesson, or organise a group of similar level singers to book an intermediate to advanced level course.

Booking now for March 2018: special introductory rate of £30 for 4 weeks.

Click this link to get in touch via the contact form and book your place today!

How to get to Nexus Methodist Church

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Nexus Methodist Church, Claremont, Eastbourne Avenue, Bath, BA1 6EN

  • On foot: At the eastern end of Camden Road, on the corner opposite Fairfield Park Health Centre.
  • By bus: The number 6 bus route both leave from Bath town centre and take you almost exactly opposite Nexus Methodist Church. From the town centre the bus takes approximately 10-15 minutes, depending on traffic.
  • Car parking: Street parking (please note Camden Road operates a Resident Parking Permit scheme from 8am – 7pm every day)

Cello Sonata Premiere Saturday 18 November 2017

Edward Bettella’s new piece Cello Sonata No.1  will be premiered in concert on Saturday 18 November 2017 at St Michael’s Without Church in Bath. Edward will be performing with his regular duet partner, cellist Jonathan Stabler.

The evening will be a celebration of music arranged for the intimate setting of cello and piano, featuring an eclectic program, starting with Beethoven’s Cello Sonata No. 5 in D major, followed by a variety of short pieces by composers from Henry Purcell, Morfydd Owen and Stevie Wonder.

Introductions will be provided for all the pieces, so you don’t need to come armed with an extensive knowledge of music history! Just come to relax and enjoy some wonderful pieces, old and new, capped by a performance of an entirely new work. A bar will be open for all your beverage requirements.

Tickets are £5 on the door; further information can be found at www.edwardbettella.com

Concert Poster 18/11/2017

Concert Poster 18/11/2017

Chopin in Cuba: Thoughts on Visiting Cuba 2017

At the beginning of 2017 I went on a trip to Cuba to discover a country that I had heard so many different versions of: the country of cigars, rum and music, the communist state that is a thorn in the side of the USA, or one of the few truly independent states in the central americas, free from foreign intervention. A corrupt state that ruthlessly suppresses any form of political descent, or the state that provides free healthcare and education, with one of the highest literacy rates in the world.

In a way Cuba was a little bit of all of these versions. But it was definitely nowhere near the extreme cartoon like depictions extolled by either left or right wing commentators. Like most things in life, the truth lay somewhere in the middle. As I overheard American tourists on one of our coaches saying, ‘we were warned by friends that it would be like North Korea, but its nothing like that. Its just a very beautiful country.’ I wanted to use the space on this blog to record my experiences of this unique country and some thoughts on Cuba’s place in world history and politics. I don’t particularly sit in either a pro or against Cuba camp, because I believe that to be an insult to the people of Cuba, who are in my opinion the country’s greatest asset.

In addition to cigars and rum (which the author confesses to have contributed handsomely towards the Cuban economy for), there was the music. It really was everywhere you went and truly infectious. The Cuban people seemed to have an addiction to music and dance! I learned that the true Salsa Cubanos had the advantage of being danced with predominantly flat feet and that dancing on your toes was a definite no. Not a Cuban heel to be seen! The significance being that many older Cubans could easily move across the dance floor with minimal movement, while still looking enviously natural and fluid in their steps. Cuban Salsa is clearly a music form for all ages.

Dancing in the Music Salon in Trinidad

Dancing in the Music Salon in Trinidad

Instruments were everywhere, predominantly guitars and the all important percussion. I had not realised how important percussion was in Latin music and Cuba was no exception. The sight of a nine piece band crammed into a hole in the wall type bar will never leave me, with nearly half of the band assigned purely to percussion. The instruments like clave and cowbell by themselves are nothing special, but when assembled together they produce a tapestry of rhythm which is essential to any Cuban music.

Musicians in Cuba

Musicians in Cuba

Pianos were not widely seen during our trip. During our stay at the town of Trinidad in the south part of the island, we discovered a dance hall with an old grand piano shoved in the hallway. It was the only one of two pianos we saw the whole trip and I did not dare to try it out, so worn out it looked. As the afternoon dance class whirled about us in the old dancehall, I pondered why a country with so much music could have so few pianos on show.

Grand piano in Trinidad, Cuba

Grand piano in Trinidad, Cuba

Pianos are expensive instruments and for a country that was under trade embargo and where nominal personal incomes are restricted, it is easy to understand how few people would be able to make such a purchase. The weather is another important factor, where continual warm spells and humidity would make the maintenance of such instruments very labour intensive. In addition, there would be no source for new parts for repairs. The effect of trade embargoes was to force Cubans to develop a culture of make do, creating parts and spares from older items and scrap. The guitars of Cuba are an example of a whole mini industry being created where small workshops developed methods for winding old metal wires to create guitar strings. I couldn’t see any evidence that this extended to the complexity of a piano action, but I hope to be corrected! If you ever go to Cuba, take a few packets of guitar strings with you to exchange for goods, you’ll make many friends from such a luxury.

Musicians in Trinidad, Cuba

Musicians in Trinidad, Cuba

In the capital of Havana we came across the other piano we saw on our trip, a Petrof grand in the Museum of the Revolution. Before the Revolution, this grand building used to be the presidential palace and it was this very building that the revolutionaries dramatically stormed in 1957, with the intent of killing the ruling dictator Batista. Bullet holes still lined the hallways and gave a stark reminder to the inherent violence of any revolution.

Bullet holes in the Museum of the Revolution

Bullet holes in the Museum of the Revolution

The piano itself very much looked like a 1920’s grand piano and it was easy to imagine the glamorous functions being held there for dignitaries while piano music drifted through the palatial rooms.

Petrof piano in the Museum of the Revolution, Cuba

Petrof piano in the Museum of the Revolution, Cuba

Today the museum is a dry exhibit of propaganda for the Castro regime. Endless statistics about the success of the agrarian reforms of Castro’s government and the evil of the U.S made it difficult to stay awake as we passed from room to room. Perhaps the most poignant part of the museum was a grand ballroom that had been designed as an imitation of one of the great rooms of Versailles. The enormous wealth that must have been expended on that room alone, while the Cuban people were ripped off and descended into prostitution, drugs and gambling rackets, tells you how little propaganda Castro actually needed to get the Cuban people on his side. Batista evidently was doing the work for him.

And so to the title of this article, to a statue of Chopin located in the Plaza de San Francisco de Asis in Old Havana. As we walked across the plaza I recognised the profile of the man sat on the bench straight away: the sculptor did a very good job!

I wondered how many people taking their photos with the elegant dressed gentleman knew who he was and the music he created, but in many ways it didn’t matter. The serenity and ease of his pose on the bench perfectly fitted in with the Cubans sitting in the square, taking a momentary break from their work to watch the world go by.

A statue of Chopin in Cuba and I

A statue of Chopin in Cuba and I

The statue was the work of sculptor Adam Myjak and was the result of a collaboration between the Cuban and Polish governments to celebrate Polish culture and the bicentenary of Chopin’s birth. Chopin himself of course never went to Cuba. But I believe he would have easily related to the feelings of national pride that Cubans feel today for their country. Just as Cuba had been occupied by the Spanish, in Chopin’s lifetime Poland was a country forcibly annexed to Russia. Poland as a country legally did not exist. Chopin wrote music specifically to stand in defiance of Russian rule. His Mazurkas and Polonaises ensured that whatever the military and political situation, the essential voice of Poland’s spirit would resound for centuries after in people’s hearts and minds.

Chopin's hand

Chopin’s hand

During our trip we spoke to many young Cubans who could not wait for progress and change, eagerly awaiting the the doors of President Obama’s rapprochement to be opened a little bit wider. But the Cubans we spoke to, young and old, were also intensely proud of their revolutionary history. This did not equate to love for Fidel Castro, in fact some people were surprisingly forthright about the anger held, especially during the ‘Special Period’. But for them it was possible to be proud of the independence Cuba had as a result of the revolution, while also acknowledging the many faults of Castro’s leadership.

It is simply impossible for anyone born in another country to understand the effect of Cuba’s history has on its people. In the U.K. for example, there is a classroom history of great victories in battle and imperial domination of the world: the Spanish Armada, the British Empire and her colonies, defeating Napoleon, defeating Germany, the list goes on. The effect this has on the national psyche is I believe one of the most under researched parts of history. It continues to have a profound effect on political arguments in Westminster and in the national public conversation.

But Cuba’s history is the diametric opposite. It is a long history of invasion and interference, first by the Spanish and then the U.S. The U.S in fact did propose to buy Cuba in 1854 with the intention of creating another slave state to the union. How is that even conceivable? How would today’s Brexiteers react if the EU came out with a plan to purchase the U.K? The history of Cuba goes a long way to explain the pride people still have for Castro’s revolution and the clear cut independence it brought to the people of Cuba. The cost of that independence for the people of Cuba, when trade embargoes drove people to famine in the 1990’s, is highly questionable and the extent to which Castro made little attempt to alleviate his people’s suffering will tarnish his legacy. But there was no doubt that the revolution created a pointed end to external state interference and a new beginning of a true Cuban independence.

My trip to Cuba left me with many questions and a desire to find out more about this incredible country. Cuba is a unique country for the geographic position it holds between central and south America, being the largest island in the Caribbean. It has a long history of being invaded and occupied, either by direct military or economic occupation. It became a truly independent state after the Cuban revolution of 1959 and the talking point of the world as an openly Communist state sitting in the Florida straights. This island in the Caribbean effectively threatened the humanity of the world with the Cuba missile crisis, but later became known for peacekeeping missions in countries like Angola. During the trip I happened to be reading Nelson Mandela’s autobiography and was surprised on the number of references to Cuba. On 26 July 1991, Nelson Mandela delivered a speech in Havana praising the intervention in Angola,

‘The Cuban people hold a special place in the hearts of the people of Africa. The Cuban internationalists have made a contribution to African independence, freedom and justice unparalleled for its principled and selfless character – We in Africa are used to being victims of countries wanting to carve up our territory or subvert our sovereignty. It is unparalleled in African history to have another people rise to the defence of one of us – The defeat of the apartheid army was an inspiration to the struggling people in South Africa!’

These other sides of Cuba’s post revolutionary history are never widely publicised, could it be because they work against the mainstream narrative of a corrupt communist state? We are told that Cuba’s poverty and the lack of democracy means that the Cuban people are forever living on the edge, unable to cope against a wall of government suppression. But what we found were a people who were not only coping but vibrant and curious about the rest of the world. This does not make one an apologist for the government suppression and ongoing lack of democracy. Things must change and I felt the desire of this from the people we met. Everyone there had an anticipation of progress to come.

The Cuban Flag

The Cuban Flag

My final thought relates solely to the Cuban people and their inherent vibrancy. Their music, dance and zest for life was infectious and gave the country a sense of optimism that far outstrips its economic wealth. These people have no democracy and small incomes, but that did not hinder their wonderful warmth that they shared with us freely. Commentators in the U.K often like to compare Cuba economically to countries in the G7 as a fair comparison. But this comparison is not fair in anyway. A country like the U.K can in no way be compared fairly to a country like Cuba. The U.K has a long history of being one of the most powerful countries on the planet and massively benefitting from the wealth and freedom that this confers. On the flip side I have met people in U.K who have the vote but are completely uninterested in using it. They live in a country that is economically one of the fastest growing in the G7, and yet they have no sense of feeling like they are sharing in this success. Economic success is not the only means for giving people a sense of national pride and contentment.

Lunchtime Recital Thursday 11 May St Mary’s Bathwick

 

I will be performing a lunchtime piano recital on Thursday 11 May 2017 at St Mary’s Church, Bathwick, Bath. This recital is part of a series of lunchtime recitals arranged to raise funds for the restoration of the 1878 Father Willis organ at St Mary’s Church.

The music will start at 12:30pm and will include the following works:

Chopin: Nocturnes

Schumann: selections from Kinderscenen

Schoenberg: first movement from Klavierstucke

Other works to be played will be announced on the day. Entry is free but the audience are encouraged to give generously to support the organ restoration fund.

The 19th century organ was last restored in 1980 but is now in need of further restoration work. As well as being an example of a well respected British organ manufacturer, Henry Willis & Sons, the organ also boasts another famous connection. In 2001 the rock group Muse recorded the organ for the song Megalomania for their second studio album, Origin of Symmetry.

St Mary’s Church

Darlington Street

Bath BA2 4EB

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